Cabin Fever Residency – The Derby Witness – Book Launch Weekend
Over 20 people involved in 'The Derby Witness' came down to see the Cabin Fever space over the weekend, and after producing the work mostly in lockdown last year, it was great to finally meet some of the people involved face to face! Many of the people who's lines of text are included in the project are unpublished or don't consider themselves to be 'writers', which is one of the reason I was so keen to publish the work to give those who have contributed a publication credit to their name.
Working in the Cabin has also allowed us to experiment with the lines of text, Nicki and I have begun spraying lines inside the exhibition space, and I have been spraying fragments of lines and single words on the bricks surrounding the cabin, as well as along the silver rim of the building.
On Saturday I was presented with a new poem, which someone has written in reaction to seeing the work displayed (which is now being shown as part of the exhibition) and lines and reactions to the work have begun to come in via social media.
Like flowers from the soil, we too will rise
19/04/21
Dan Webber
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Artist, Cabin Fever, Dan Webber
(Image courtesy of Sonia Burns)
I would imagine that a large part of a person's image of Mars in there mind is not completely true. I propose that it is constructed from multiple influences, with the majority being cinema... Even with exceptionally good telescopes from Earth, Mars is but an orangey/red dot in the sky.
I have taken to calling this photograph 'Artemis, 2020' after the Greek Goddess. Goddess of the Moon and the hunt, it seems fitting that an owl represent both of these concepts.
No only this, but the clear perspex box in which the owl is displayed, goes further to somewhat visualise the idea of a reality within a reality.
I have been fortunate enough to achieve smoke and ash, so I can't be too far away from an ember!
The board is made from dry poplar wood following the advice from a youtube video about starting fires. This may sound potentially non-credible, but does it matter?
This strikes or resonates with me particularly because my small monitor has a blue screen function where a blue cast is overlayed on the screen. The idea that Hammond uses here relating to the symbolism of colours in particular settings. Also her reference to simulation or substitution... There's something there that is relevant to me but I need to decipher more...
On of the things that has stuck with me ever since beginning research in to sci-fi and the idea of terraforming, let alone in reality, was the importance of bees. Bees pollenate flowers so that plants can reproduce, and without them the diversity of plant life or its ability to reproduce and support human life is massive diminished. Movies such as IO and the Netflix series Nightflyers feature bees prominently, so it's not a new idea.
Further into my research on bees I found that it is occasionally the case that if you try and move a colony, then the colony can ultimately die. I think there are many parallels that can be drawn between the human and bee colonies, that in some way suggest a pessimism or optimism for the future of our species on a foreign planet.
Archive
The Derbyshire Record Office archive is a place I have been trying to get to for what seems like ages! I had loose plans at the end of 2019, albeit requiring me to be more decisive about which parts of the collection I wanted to see, and then COVID-19 came along and shut down my hopes for months... My area of interest in the archive is the Rolls-Royce rocket development department in the 1950's - 1970's. Arguably playing a large part in the origin of space exploration, the Rolls-Royce