s a projection would be quite minimal as I often feel like I have shown my methods and documentation with but separate to the final outcome, stopping once the physical object is completed. It would be interesting to take the sculptural interpretation of the collages and continue to make the physical work, but for the final outcome to be a visual experience rather that a physical sculpture, and this would be broadening my creative intention towards my practice.
Reading peter Eisenman’s ‘Diagram Diaries’ I came across these two quotes: the first is about the technical aspects of lines and dimensions and the process through which shapes become diagrams;
“Technical preconditions that would allow modern architecture to refound itself... on the twin bases 
I am based in Nottingham so I commute to Derby for the residency. It is so nice to have a new space to work in, I already feel engaged with it. The main idea of my new project is drawn from the city of Derby and its architecture, so it was vital for me to explore the city. On day three, I documented a walk I took as you can see in the picture below.
I use culture and history as a guide to get to know each city I visit. This might link to sightseeing but I am not really a tourist as I don’t get a picture of myself with every monument and I don’t visit sculptures for the sake of it. Due to my professional development in arts, I find that museums and galleries have more importance than visiting inhabited neighborhoods, buildings and flats which tend to be quiet, filled with privacy.
If I hadn’t visited the St Almund’s Church at Darley, my knowledge of the city would have been limited to the centre.
I am interested in geometrical shapes, contrasts between old and new and the space between one building and another. This helps me to start thinking about how to develop my
