Residency3: Kaipo Che

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Testimonial on Kaipo Che Residency

5th February 2019
The Residency: The residency far exceeded all my expectations. The Art Centre in the Township was a serene location and a contrast to the bustling Vadodara town. You could acquire your own space here to refine and develop your own ideas, but there were also plenty of opportunities to converse and bond with the other artists in the camp. The Indian hospitality was incredible and it was through these breaks in the programme that gave you the perspective on the opportunity and allowed conversations to organically develop. There were always lots of people to meet and talk about your work to, reinforcing the fullness of this opportunity. The chance to taste local foods, experience the carnival kite-festival with locals, see how the Indian artists live and work, visit local exhibitions and the historic vs new architecture, get a taster for the complex language of the country, learn local dance and experience the different music was truly magical. The experience was visually and emotionally rich. The chemistry of the group was fantastic, everyone wanted to make the most of this unique opportunity and the other UK artists were highly motivated to absorb and respond to their surroundings. As a result the engagement from the public and the press far exceeded all expectation, with articles in the newspapers and even TV exposure. I’ve included the 3 key points, outlined with photographs, which I will really take with me as an artist at the start of my career: Artist Community – building connections that
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Categories: Caroline Mackenzie
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Feedback and Report on Kaipo Che Residency

5th February 2019

TESTIMONIAL: KAIPO CHE! RESIDENCY

I have participated in many residencies, international and national but this has been the best. This was my first trip to India. I was interested in this project as I have always admired Indian art and culture, in particular Indian miniatures, the wonderful rich textiles, the carvings of Islamic art and the wonderful imagery found in Hindu temples. During the residency I have seen first hand traditional art and architecture as well as contemporary art. One of the aims of the residency was to make drawings for a group show at the Arts Centre. I was inspired by the landscape and able to work in the lovely studio with a mix of Indian music playing in the background. The kite flying festival was a joy and we were welcomed on to the terraces in many different places to join in the celebrations. All my senses were alive as the music, colours, the tug of the kites and the smell of spices filled the air. The imagery will fuel my imagination for years to come. Speaking to the artists from Baroda has been inspirational and there was a remarkable chemistry in the group. We became a “family” in a short space of time. I felt very privileged to participate in this residency where I gained a real insight to the culture and art in Baroda. This was not from a tourist’s viewpoint but from the perspective of artists living and working in the city. The residency was well organised and I would not hesitate in
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Categories: Jackie Berridge
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Feedback and Report on Kaipo Che Residency

28th January 2019

TESTIMONIAL: KAIPO CHE! RESIDENCY

The Kaipo Che! Residency was one of the best residencies I have been involved in. It surpassed expectations in many, many ways: in the level of interaction with India-based artists; the residency spaces and location; opportunities to experience the wider culture of Baroda and other nearby Indian towns/villages. Most importantly, there was an incredibly hospitable and welcoming atmosphere throughout, and it was a pleasure to spend time with everyone involved.

REPORT:

  Residency space and resources Thoughout the residency, Artcore put in place all the resources needed to create work. All art materials were supplied and any technical assistance needed was given. They were proactive and responsive to artists’ changing needs. The studio spaces were large, full of light and very comfortable. They were peaceful spaces for quiet reflection in a busy schedule.     My Practice I was surprised by the work I made, it was definitely a new direction for me in that it was quite a personal and autobiographical response. The paper sculptures were directly informed by being in Baroda and my experience of India both past and present. I feel that there is potential to take some of the ideas forward back in the UK. I would also welcome a chance to continue dialogue with artists in India and will explore possible opportunities for them to visit UK. Residency Exhibition The exhibition at the end of the
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Categories: Daksha Patel
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Meet the artist: Caroline Mackenzie

23rd January 2019
Where are you based? I’m a born and bred Londoner. I live in Bermondsey and have a studio in Woolwich, right next to the Thames Barrier… that I scoot to on my little Vespa! How did your artwork start out? My interest in art actually started in painting at school, but over the years I became more influenced by live theatre, performance and set design. This in turn gave way to an interest in ‘the object’ and especially the object within certain theatrical environments. How do you get ideas for each piece of art? If I’m preparing for an exhibition, the exhibition space itself is always a source of inspiration for me. The less conventional the better, as the more I can embrace my inner set designer and transport my audience away from the confinements of the gallery space! However, at the moment I’m exploring the concept of ‘flow’, both the psychological meaning as well as the physical meaning. Because my work is immersive in experience, I’ve become interested in the process of immersion and how it manifests. ‘Flow’, is known colloquially as being ‘in the zone’. It is the mental state of operation in which a person performing an activity is fully immersed in a feeling of energised focus and enjoyment in the process of the activity. It can be characterised by complete absorption in what one does, and a resulting loss in one's sense of space and time. Space and
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Categories: Caroline Mackenzie
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Meet the artist: Jackie Berridge

22nd January 2019
Where are you based? I am currently based at Harrington Mill Studios in Long Eaton. As the studios will be closing at the end of 2018 I will be working from my home studio in Southwell, Notts. I eventually hope to move to Backlit in Nottingham in 2019. How did your artwork start out? After graduating from Nottingham Trent University in 1995 my work was abstract and inspired by different environments including landscapes, cityscapes and the home. Although the final pieces were non figurative I made lots of observational drawings and colour studies. My work has always been rooted in research and observation.. The big change to figurative work came as a result of moving to Chelmsford in Essex. There were no studios around and I felt isolated. I enrolled on an MA in children’s book illustration at the Anglia Ruskin University in Cambridge as I have always loved children’s books and I saw it as a new challenge. It meant I could develop work at the kitchen table and learn new skills including storytelling and how to develop sequential images. As well as writing and illustrating children’s picture books I made large immersive sequential drawings. As much as I enjoyed illustrating I knew I wanted to continue painting. I therefore fused the story telling with the painterly qualities of the previous abstract paintings to make new work. The MA course required me to get under the skin of different characters and this led to my interest in body language and the
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Categories: Jackie Berridge
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Meet the artist: Daksha Patel

22nd January 2019
Where are you based? Manchester How did your artwork start out? The human body has been an important theme in my practice from the very beginning. My undergraduate work focused upon skin: I used macro-photography to take highly magnified images of its surface, which resembled landscapes. I was also making direct imprints of skin using soft-ground etchings. Overtime, particularly after my MA, I became interested in how technologies look at, represent and measure the human body. How do you get ideas for each piece of art? My work is often research-led and responds to specific aspects of scientific enquiry such as data about air pollution, geographic mapping systems or medical imaging. I regularly undertake residencies in scientific institutions, and my conversations with scientists, as well as images from their research are often the starting point for ideas. How do you go about transforming an idea like that into a physical piece? Drawing is a primary method for thinking through ideas and of realizing them. It is a very direct and immediate way to explore ideas. I use methods and processes that respond in some way to my subject matter. For instance, I have used clay - a material that is unstable and slowly drops off the paper surface as it dries - to draw landscapes that are undergoing desertification. Or animal fat to draw
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Categories: Daksha Patel
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