I’ve been reflecting and reading about 'creative engagement'. For all the years that I have been able to call myself an artist I have wanted to engage people – take them on a tour or talk to them in the street. In the early 90s I made a lots of street performances that were about talking to people – about things. They would ask what I was doing - usually something strange – and the conversations that ensued would be the real ‘art work’. It was never possible to really capture this process although you could sometimes see glimpses in video documentation or ‘vox pops’ .
Visiting the Hepworth with my granddaughter, we were really taken with the materials they provided for ‘creative engagement’. Together we played with the wood, metal, soft ‘holed’ material that had been carefully designed and provided. The physical engagement with tactile and physical objects that related to the work on show, created conversations and a joint experience and exploration between us.
I also visited Manchester Art Fair and galleries and loved the Promethean vase on display. (Minton vase, 1875-1878) with captives hanging from the top of its beautiful blue Celeste glaze. It reminded me why my small sculpture for Small Promethean Acts reference this classic story: Prometheus stole the secret of fire for mankind. As punishment the gods chained him to a rock and commanded an eagle to peck